Hamlet review – Giles Terera dives deep into the prince of Denmark’s torment

Minerva theatre, Chichester
Justin Audibert’s lucid production is classically considered, with a fine cast making full unsettling use of the intimate space

By the time Laurence Olivier became Chichester Festival theatre’s first artistic director in 1962, he was already a revered Hamlet on stage and screen. But Chichester has never produced its own version of “the Danish play” until now. No pressure then for director Justin Audibert, who took over in 2023.

In a year of briskly delivered Hamlets set at sea (by Rupert Goold) or soundtracked by Radiohead (co-directors Steven Hoggett and Christine Jones), Audibert delivers not a high concept but a lucid and unhurried tragedy. In soliloquy after soliloquy, Giles Terera takes you deep into the prince’s torment, the intimacy of the Minerva accentuating the precision of his expressions. The lights come slightly up when he reaches “To be or not to be”, Terera’s eyes slowly closing on “perchance to dream” only to be rudely wakened before that line’s conclusion.