At Sphere in Las Vegas, Illenium transformed electronic music into a bold, fully immersive spectacle and raised the bar for live shows everywhere.
On March 6, melodic dubstep juggernaut Illenium took over The Sphere in Las Vegas for the second night of his nine-show, Illenium Presents: ODYSSEY residency. Beyond supporting his latest album, ODYSSEY, the groundbreaking shows pushed the boundaries of what raving could look like and showcased the beloved bass artist’s audacious creative vision and compelling storytelling.
The day before the big event, I stopped by Illenium and Vibee’s merchandise pop-up at The Summit Showroom in The Venetian. Having never been to Vegas before, navigating the hotel was incredibly frustrating as signage was limited and it took twenty minutes just to find the store. There were no lines to get in when I arrived around 4pm, but most of the Sphere exclusive merch was already out of stock.
To my excitement, a cropped black jersey that had been sold out on Illenium’s website for weeks was available in my size, along with ODYSSEY pashminas, standard Illenium jerseys, water bottles, flags, vinyls, and even discontinued merch from his 2023 self-titled album era.
On the night of the show, I arrived at Sphere around the time doors opened.
Security was a breeze, although the line to get in via the bridge entrance connected to The Venetian was 10 minutes long. The previous night, I entered from the street-side plaza entrance and walked straight through without anyone ahead of me.
There were three stands for Illenium merch on the first floor, each with long lines. However, the line for merch closest to the plaza entrance was significantly shorter than the others, and it took under 20 minutes to get to the front. I had no problem getting the Illenium Presents: ODYSSEY exclusive sweatshirt in my size, but the merch options at The Sphere were more limited than the pop-up.
They gave me a bag for my sweatshirt, which was nice because there is space to leave your stuff under your seats. After paying, I scoped out the massive venue. On the first floor, there were two massive, golden phoenix statues perfect for photo-ops. There were so many food options, and the lines were almost nonexistent across all of them. I wasn’t feeling hungry, so I settled on a box of popcorn, which was $6, generously portioned, and the most delicious I’ve ever had at a show.
Photo Credit: Rich Fury / Sphere Entertainment
With my popcorn and an overpriced beverage in hand, I ventured into the small, winding hallway leading to my seat and saw the inside of the Sphere in all its glory.
When I finally came out on the other side, it was mind-blowing. Before the show began, a mosaic of Illenium’s jerseys over the years stretched across the floor-to-ceiling screen, an impactful homage to his prolific career soon to be celebrated.
I settled into my seat in the first row of section 308. The previous night, I was in the 400s, and while the 400s offered a full, birds-eye view of the visuals, I preferred sitting in the 300s because the visuals were so much more immersive that it felt like you weren’t just watching them — you were inside them.
Right at 9:30, the lights dimmed, and Dab the Sky came on. Their set was melodic dubstep at its finest – emotionally visceral, cinematic, and packed with euphoric, soaring melodies. Dabin’s and Said the Sky’s musicalities were so cohesive, and their music blended together in effortless perfection. They played so many of their hits, including Said the Sky’s collaboration with Illenium and Vera Blue, “On The Other Side,” and Dabin played a new ID that left the crowd buzzing about its future release.
The visuals were a breathtaking constellation of thousands of speckling stars painted in hues of blue, purple, and pink. Every so often, the stars surged forward, and watching the spectacle unfold overhead felt less like being at The Sphere and more like being teleported onto Space Mountain at Disneyland right during blastoff.
Photo Credit: Rich Fury / Sphere Entertainment
After that stunning Dab the Sky set, anticipation began to brew during the 15-minute intermission before Illenium, the seconds ticking down on a timer at the top of the LED screen.
With ten seconds until showtime, the crowd counted down in unison until Illenium Presents: ODYSSEY commenced right on the dot at 10:45pm. Words, photos, videos — none of them can fully capture the magic that unfolded over Illenium’s 90-minute set. Witnessing his creative vision for ODYSSEY brought to life on the world’s largest LED screen felt like watching a 3D movie without the glasses. It was a rave brought to daring, cinematic heights.
The story projected on the screen followed two women, one embodying light and one embodying darkness. They faced battles within themselves and against each other, but in the end, they found love and acceptance in each other and became one. It was a powerful reminder that our greatest challenges often come from within, but we are also our own greatest allies.
It was a thoughtful story, propped up by a carefully curated song selection and high-quality visuals, with Illenium’s meticulous attention to detail and mastery of storytelling on full display. Every song he played was paired with visuals that elevated its emotional impact, with both elements bolstering each other. Heavy dubstep played over the show’s darker moments and epic battles, while soaring melodies and a few sprinkled-in drum-and-bass drops coincided with bursts of vivid color and the show’s lighter sequences.
Photo Credit: Rich Fury Sphere Entertainment
Although ODYSSEY was deliberately crafted with the Sphere in mind, much of the set was devoted to his wide-ranging catalog, including older and underrated tracks he rarely plays live.
Despite how much I love Illenium’s music, I haven’t always connected with his recent sets because he plays too much of other artists’ heavy dubstep, a style I’m not a fan of. At Sphere, he fully embraced the qualities that make his music so compelling and delivered a set that was both the best I’ve seen from him and one of the most memorable live shows I have ever experienced.
His set was full of surprises, from an unreleased progressive house track with David Guetta that echoed Avicii’s style, to Dabin joining him on stage to shred guitar during “Rush Over Me.” One of the night’s biggest highlights was Spiritbox gracing Sphere with her screaming vocals and performing “Shivering” live, a special guest appearance no one saw coming.
In the middle of it all, I took a moment to look around me and soak up the collective joy emanating from the crowd. Everyone was beaming, awe-struck at the sheer scale of the production. Although people stood throughout the venue, many attendees remained in their seats, their heads tilted skywards towards the screen, engrossed in the impactful story unfolding, more so than the famous DJ on stage.
Illenium Presents: ODYSSEY was pure art, nothing short of a masterpiece.
Throughout my two days in Vegas, I saw Illenium fans decked out in his jerseys everywhere I turned. Illenium’s ability to be openly vulnerable and craft a story that’s not only deeply personal but also widely relatable has propelled him to the level of fan adoration few artists have achieved. It’s why thousands of his fans have traveled to Vegas to support this massive milestone for him and witness his artistry in its biggest, boldest medium firsthand. This night was a defining moment not just for fans, but for electronic music and its future.
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