‘He goes to the dark side’: behind the scenes on the Shaun the Sheep horror movie

Aardman’s hero is back in The Beast of Mossy Bottom – a terrifying tale of frankenfood, pitchfork-wielding villagers and a monster with suspiciously stiff orange hair. Our writer meets its makers and moulds her very own Shaun

The Aztec West industrial estate in Bristol was opened by Margaret Thatcher in December 1989. One hundred and sixty acres of breeze block and mirrored glass, it is home to about 7,000 employees and 100 companies, including EDF, EE, HSBC, Co-op Legal and Spandex. It has its own gym, spa, church and morgue. Step inside Unit 1410, though, and bucolic England is magically restored. A farm complete with sheep. Rolling fields in autumn colours. A small parish town boasting post office, war memorial, chippy. It looks lush. But before you hit up Rightmove, I should say: Mossingham is only two feet tall. And plasticine.

It’s January 2026 and Aardman animations are about halfway through production on Shaun the Sheep: The Beast of Mossy Bottom. The 300-odd staff in this shed are full speed ahead – which means each of the 30 animators is rattling out almost two seconds of footage a day.