Books that Celebrate Complicated Women

2 days ago 3

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Natalie Baszile is the author of Queen Sugar and Friends and Family, which is out this week from Pamela Dorman Books. Below, she recommends three books celebrating complicated women.

When it comes to writing female characters, authors must often negotiate the tension between making them interesting and complicated and making them “relatable”—which to my mind is code for making them likable.

Female characters can be angry, but not too angry; they can be imperfect and flawed, but they can’t offend.

Back in 2013, Claire Messud spoke to this tension in her Publishers Weekly interview when asked about her character Nora in her novel The Woman Upstairs:

“If you’re reading to find friends, you’re in deep trouble. We read to find life, in all its possibilities. The relevant question isn’t ‘is this a potential friend for me?’ but ‘is this character alive?'”

Here are three books whose authors celebrate complicated women. Readers might not care for every choice they make, but they can’t deny that they’ll come away from these books with a deeper appreciation for life’s delicious messiness.

Cover Image of Take What You Can by Naima Coster

Take What You Can by Naima Coster

Set in France and New York, this novel explores the lives of best friends Milly and Val, two young Black women whose bond is forged during their year abroad and stretches into their thirties. What they share is the pain of having lost their mothers and a shared history with a woman from their past. Now, young mothers themselves, both living in Brooklyn, Milly and Val soon discover that love for each other might not be enough to bridge the divide that’s growing between them. Differences in their economic and familial circumstances, marital tensions, plus divergent responses to the demands of raising a child soon breed resentment and jealousy, misunderstandings. Take What You Can is a meditation on motherhood, class, and the deep satisfaction that comes from being complicated women.

Normal People Don't Live Like This cover

Normal People Don’t Live Like This, Rainey Royal, and List of All Possible Desires by Dylan Landis

This trilogy of novels-in-stories is a masterclass in writing complicated women. Landis explores the lives of girls and young women in 1970’s lower west side, New York. This was the era before helicopter parents and mommy play groups, when adults checked out to pursue their own desires, leaving their girls to raise themselves. Landis’s characters are wild and defiant. They are lovers and thieves, artists and thrill seekers. But beneath their tough exteriors, each is desperate for love and connection and will do almost anything to get it. Their search often finds them along the razor’s edge—physically, sexually, emotionally. Over the course of three books, readers will find themselves holding their breath as they watch Landis’s characters grow from fragile, rebellious girls into clear-eyed, truth seeking women.

cover of The Personal Librarian by Marie Benedict and Victoria Christopher Murray

The Personal Librarian by Marie Benedict and Victoria Christopher Murray

This historical novel, co-authored by Marie Benedict and Victoria Christopher Murray, is based on the true story of Belle da Costa Green, a Black woman who, in 1905, passed for white and helped robber baron J. P. Morgan build his world-class Pierpont Morgan Library. Da Costa Green, whose real name was Belle Marion Greener, claimed to be of Portuguese descent. The truth was that she hailed from a prominent DC family. Her father was the first Black graduate in his class at Harvard in 1870. But in the wake of her parents separation, Green, her mother and siblings changed their last name to Greener and passed for white. The novel begins as da Costa Green first meets Morgan, and chronicles her quest to acquire some of the most treasured manuscripts and artifacts of the day. A brilliant negotiator and dazzling conversationalist, De Costa Green moved in rarified circles, but her true identity was always at risk of being exposed. Readers might not agree with De Costa Greene’s choice to hide her identity, but they have to admire her gumption.

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