A Nation and a Saint

“Hardly anybody is still alive today who has personal memories of the Hollywood blacklist of the immediate post-World War II period, let alone of the rabid Communist agitation that took place in the film colony before and during the war,” notes Bruce Bawer in his review of my book, Hollywood Party: Stalinist Adventures in the American Movie Industry, adding “don’t expect this terrific, truth-telling tome to be made into a major-studio movie anytime soon.” Bawer is right, but as they say in Hollywood there’s more to the story.