‘They accomplished so much, even as they were dying’: the groundbreaking gay art of Peter Hujar and Paul Thek

A new book uncovers the yearning romance that fueled the Aids-era artists’ life and work

Andrew Durbin, author and editor-in-chief of Frieze Magazine, spent almost five years writing The Wonderful World That Almost Was. This dual biography of photographer Peter Hujar and sculptor Paul Thek, two gay artists who made extraordinary work in the years before and during Aids, focuses on their friendship, creativity and collaboration spanning more than 30 years. They died within a year of each other, in 1987 and 1988, both from complications from Aids.

The work and lives of Thek and Hujar have come storming back into the cultural conversation in recent years. Hujar was played by Ben Whishaw in Ira Sachs’s poetic 2025 film, Peter Hujar’s Day, and his images have been used as cover art for an Anohni and the Johnsons album and Hanya Yanagihara’s bestseller A Little Life. Thek’s equivalent moment has been slower; his most important works were large-scale installations in Europe, all lost, and which, as Durbin tells me, “everyone loved, but few could experience. And when they were finished, there wasn’t much left to sell. But I think his moment is about to come.”