Taylor Sheridan’s TV universe is getting so big that, at this point, it feels less like a slate of shows and more like a very expensive map of America covered in string. There are ranches, oil fields, crime families, marshals, grieving cowboys, exhausted lawyers, and at least one person in every series who looks like they haven’t slept since the Obama administration. So naturally, the question now isn’t whether these worlds could ever cross over. It’s how long Paramount can resist doing it before someone in a Stetson wanders into the wrong show and suddenly makes perfect sense.


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